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Featured Story:
We’re Delighted to Announce the Newest Addition to the Lord Library of Books
Manual of Museum Management for Museums in Dynamic Change, the third edition of the classic, is an exciting guide in a time of sweeping changes. Renowned museum planner and Lord President and Co-founder Gail Dexter Lord applies her international experience to create this comprehensive and detailed guide to the tools and strategies needed to successfully address today’s issues and opportunities.
“This is a book for museum leaders, managers, trustees and staff, and all those who care about museums and are curious about how they work. I touch on so many aspects of our work — like exhibitions, strategy, communications and technology. Museums are stable institutions, with enormous amounts of public trust, and museum staff are resilient. At Lord, we provide support and advice to museums and cultural organizations, and now they can now find it within these pages as well.” – Gail Dexter Lord Read More
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OUR CLIENTS & LORD |
Lord Cultural Resources Celebrates Opening of Charles J. Muth Museum of Hinchliffe Stadium
Blooloop, April 26, 2024
“Montclair State University officially opened The Charles J. Muth Museum of Hinchliffe Stadium at a special event on 11 April 2024. The new museum and learning centre will chronicle the history of Hinchliffe and serve as an educational resource for Paterson and Montclair State University students.”
Lord Cultural Resources was engaged in 2020 to develop an interpretive, facilities and business strategy for a new museum at Montclair State University in New Jersey, exploring the history of Hinchliffe Stadium, one of the last remaining Negro League Ballparks in North America and a site of community activity for the city and surrounding region.
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Museums are Becoming More Expensive
The Economist, March 27, 2024
“Ticket fees may seem high, particularly in destination cities where tourists are not likely to be dissuaded by spending a few more dollars. But ‘whatever museums charge, it is not covering their operating costs,’ says Javier Jimenez, a director at Lord Cultural Resources.
We have worked with a number of organizations to develop attendance and ticketing strategies, including the recommended change to Remai Modern’s admissions model, which led to a “spectacular” increase in visitors.
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EARTH DAY |
Is the Wilderness Act Still Protecting Nature?
Zocalo Public Square, April 22, 2024
“How did a law created 60 years ago to protect nature in undeveloped areas come to do something else entirely—and, in the process, become counterproductive to its own goals?”
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Eye-Opening Video Shows How Earth Could Look in 2050 if We Don’t Address Climate Change
My Modern Met, April 20, 2024
“A recent TED Talk video presents a bleak fate for our planet several decades from now if humans fail to address climate change in a meaningful way. The speaker, Shannon Odell, lays out what life on Earth might look like in 2050.”
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Climate Resilience Resources for Cultural Heritage
The American Institute for Conservation and the Foundation for Advancement in Conservation, April, 2024
“Climate Resilience Resources for Cultural Heritage (CRR) is a free online toolkit that gives individuals and organizations who care for cultural heritage the power to plan for climate change impacts and minimize damage from climate-related events.”
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Jury Call for Applications – ICOM Award for Sustainable Development Practice in Museums
ICOM, March 28, 2024
“The ICOM Award for Sustainable Development Practice in Museums receives entries, judged by an international Jury on the basis of the five dimensions of Agenda 2030 and the Sustainable Development Goals (SDGs), namely the 5 P’s: People, Planet, Prosperity, Peace and Partnership.“
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VENICE BIENNALE |
Indigenous Artists Win Top Prizes at Venice Biennale
Hyperallergic, April 22, 2024
“Archie Moore and the Mataaho Collective took home Golden Lions for Australia and New Zealand, respectively.”
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Benin Debuts First-Ever National Pavilion at the Venice Biennale
Hyperallergic, April 21, 2024
“Everything Precious Is Fragile is an opportunity to collapse the conventions that define the nation in the global popular imagination.”
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There Are a Ton of Shows to See Around the Venice Biennale—Here’s Our Take on What’s Worth Seeing (and What’s Not)
Artnet News, April 19, 2024
“Our team placed bets about what we thought would be exciting to see in the lagoon, but sometimes those expectations did not match up with reality. Here are our honest reviews.”
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Glimpse Into Jeffrey Gibson’s Historic US Pavilion at the Venice Biennale
Hyperallergic, April 19, 2024
“The exhibition brings resounding echoes of resistance amid an enduring struggle for Indigenous autonomy across the American continents.”
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This Year’s Venice Biennale Is Expansive but Manageable—and Earnest to a Fault
Artnet News, April 18, 2024
“How is Adriano Pedrosa’s 2024 Venice Biennale? As a first impression, it’s just fine. It’s a show that confirms defiant earnestness as the tone of the moment. It’s a show that is doing its own thing while also feeling in lockstep with the macro trends of the last decade in the art industry. It’s a show where the dead outnumber the living by a lot (as they do!).”
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MUSEUMS |
Unionised Guggenheim Workers Stage Protests Amid Contract Negotiations
The Art Newspaper, April 22, 2024
“Unionised art handlers and facility workers at the Solomon R. Guggenheim Museum in New York have staged multiple protests and rallies over the last three weeks. The latest action was held on 19 April, when about 30 union members assembled outside the museum during their lunch break for a rally to bring attention to their ongoing contract negotiations.”
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9 Must-See Shows Around the U.S. This Spring
Artnet News, April 22, 2024
“Along with spring flowers and rainstorms, a new crop of museum exhibitions is blooming in cities around the country, from Miami to Maryland. With major shows of contemporary artists Mickalene Thomas, Tyler Mitchell, and Raqib Shaw, plus spotlights on the late Lebanese artist Huguette Caland and beloved surrealist Salvador Dalí, here’s our list of the must-see art shows over the next few months.”
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La Nube Children’s Museum in El Paso Sets Opening Date
Blooloop , April 22, 2024
“La Nube, which means ‘the cloud’ in Spanish, is the first purpose-built children’s museum in El Paso. The name refers to the four-storey, cloud-shaped building. Across 70,000 square feet, guests will enjoy immersive exhibits and hands-on learning experiences that focus on science, technology, engineering, arts and mathematics (STEAM).”
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ART & CULTURE |
Return of the Descendants
Aeon, April 23, 2024
“What does it mean to return to a land you are supposed to belong to as a descendant but in which you are functionally a foreigner?”
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See Dozens of New York City Landmarks That No Longer Exist
Hyperallergic, April 22, 2024
“A new exhibition at the New-York Historical Society traces the city’s history through its long-forgotten monuments.”
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The Five Canada-wide Cultural Heritage Organizations Are Disappointed by Federal Budget 2024
Canadian Museums Association, April 19, 2024
“In a federal budget appropriately focused on creating new housing, advancing Indigenous selfdetermination, combatting hate, and creating a clean economy, there is an unfortunate lack of recognition of the role cultural heritage places and existing buildings play in creating housing, wellbeing, and supporting a green economy.”
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Mongolian Metal Band Uses Throat Singing and Traditional Instruments to Rock Out
My Modern Met, April 19, 2024
“Based in Mongolia, UUHAI effortlessly combines the modern metal sound with its own traditional instruments and vocals. The band's name, UUHAI, comes from deep cultural traditions, as ‘shouting ‘uuhai' in unison has roots as a spiritual mantra as a sign of goodwill leading to good fortune and was used as a way of releasing energy, emboldening one’s spirits and stimulating the elements of one’s body.’”
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Film Suggests We Call Indiana Jones What He Is: Grave Robber
Hyperallergic, April 16, 2024
“Indiana Jones, that dashing cowboy of the desert dig, coined the motto “It belongs in a museum,” but the sentiment rippled throughout the action films that followed, turning the colonizer’s theft into a fun adventure. Hollywood’s archeology genre has uplifted its protagonists into heroes that protect historical finds, ensuring that they find a new home in the clean, vapid spaces of the Western museum, locked forevermore inside a glass cabinet.”
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Remembering Faith Ringgold and Her Rich Tapestry of the Black Experience
Artnet News, April 15, 2024
“On Saturday, April 13, ACA Galleries announced that the artist, author, educator, and organizer passed away in her Englewood home at age 93. Tributes and remembrances poured in on social media, honoring Ringgold’s diverse practice and singular spirit.”
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TECHNOLOGY |
Smithsonian Museum’s New AR Experience Brings History to Life
Blooloop, April 18, 2024
“Debuting on 18 April, the Temple of Invention AR experience can be found in the museum’s Luce Foundation Center, ‘a space where we pilot innovative programs and new approaches to audience engagement,’ said Jane Carpenter-Rock, deputy director for museum content and outreach.”
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REPATRIATION |
Historic Reparation by the University of Glasgow and the University of the West Indies
University of Glasgow, April 23, 2024
“This repatriation exercise is momentous as it is the first repatriation of a natural history specimen in the Caribbean. It symbolises an important milestone for scientific research, cultural heritage preservation in the region, and repatriation as part of the reparatory justice for the Caribbean.”
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‘Not in the business of just giving away our entire collections:’ Denver Museum Denies Lingít Repatriations
Alaska Public Media, April 22, 2024
“One Tlingit and Haida cultural resource officer told Tabachnik that the Denver Art Museum was ‘probably the worst museum’ they had dealt with. And Tabachnik says the museum has a history of denying repatriation requests.”
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A Costa Rican Museum Receives 395 Pre-Columbian Artifacts Repatriated From the U.S.
Artnet News, April 19, 2024
“Since 1986, Costa Rica has repatriated 3,650 archaeological assets from the United States and Europe. Last month, 395 of those artifacts arrived from Costa Rican diplomatic headquarters in Los Angeles, Miami, and Washington, D.C., where they had been held for about a decade.”
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The Met Returns an Ancient Sumerian Sculpture to Iraq
Artnet News, April 17, 2024
“The Metropolitan Museum of Art in New York City has returned an ancient Sumerian sculpture to Iraq following an internal review by the institution, which recently appointed a head of provenance research.”
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