Throughout March 2022, we honored important women in the cultural sector. Meet these honorees whose work in the cultural sector inspires us! And download the poster we created to wrap up this month of celebration. Thank you to women everywhere who make the world a better place through culture.

The inaugural Museums/Musées Canada Summit will take place in Kitchener from Sunday, April 3 – Wednesday, April 6, 2022. Gail Lord, President and Co-Founder, Lord Cultural Resources will be speaking at the summit on April 4th.

Halifax councillors have agreed to provide $7 million in municipal funding for the Art Gallery of Nova Scotia as they work to finalize their 2022-2023 budget.

It's been more than two years since the doors of the Beaverbrook Art Gallery in Fredericton have been open to the public.

After years of dreaming, planning, interviewing, and discussing how to steer the county’s future with a creativity-driven plan, Artworks Gwinnett announces that Lord Cultural Resources has been chosen as the official consultant for this exciting effort.

The Parthenon Marbles & What Purpose Do Museums Serve? A discussion with Prof. Dimitrios Pandermalis, President of the Acropolis Museum on the Parthenon Marbles; also, what should museums be and what can they offer the public, with museum consultant Gail Lord and Paul Denis, Assistant Curator, Greek and Roman Galleries at the Royal Ontario Museum.

Kingston’s new Arts & Culture Master Plan 2022 creates a roadmap for how best the city government and community can help support the arts and culture locally.

Save the date for May 19-22 when we will be coming together in Boston for the 2022 AAM Annual Meeting & MuseumExpo. We look forward to meeting you there at Lord Cultural Resources' booth #1230. Stay tuned for more details about the conference.

A diverse and kaleidoscopic art exhibition, curated by 17 members of its security staff, spotlights the perspectives of employees typically seen but rarely heard.

The new Academy Museum of Motion Pictures in Los Angeles, which tried to present an inclusive history of film, overlooked the role Jewish immigrants played in creating the industry.

Institute for Digital Archaeology says it intends to serve injunction against museum imminently.

While the pandemic has devastated the visitor numbers of many big-name museums, some medium-sized institutions are already thriving.

While attendance figures still have some way to go to reach pre-pandemic levels, fewer days of lockdown-related closures coupled with vaccine rollout programmes spelled good news for institutions around the world.

In this week's episode we talk to Max Hollein, the director of the Metropolitan Museum of Art, about the new plans for the museum’s wing of Modern and contemporary art, including the appointment of the architect Frida Escobedo in place of David Chipperfield.

The move comes as the Smithsonian works to develop a new institution-wide restitution policy.

Museum staff, heritage custodians and volunteers are racing against time to safeguard the country's cultural treasures, many of which, ironically, are connected to Russia.

Stage curtains are closing, art exhibitions are being halted and performers are being replaced.

The "Immersive Frida Kahlo," showing in several U.S. cities, lets visitors "get to know all of the Fridas," not just the painter, her great-grandniece, Mara Kahlo, says.

There’s money to be made, though most institutions are wary of getting involved.

If the mention of NFTs elicits eye rolls in the contemporary art world, it’s almost always for one particular reason: substance. Even if it’s a generalization or a stereotype, crypto-art has a reputation for lacking rigor and depth.