A 50 percent cut in emissions by 2030 is not out of reach for the industry.

ROM’s inaugural climate curator, Soren Brothers, has a clear mandate: Ensure the museum’s programming gives the climate crisis the attention it deserves.

With sea level rise accelerating, Liverpool, N.S.’s local government hired engineering consultant CBCL Ltd. to explore options for protecting itself. But the municipality rejected all of CBCL’s suggestions, saying they’re simply not affordable.

This week, as talks continue at Cop26, the UN’s climate charge conference in Glasgow, we talk to Lucia Pietroiusti of the Serpentine Galleries about climate justice and how the art world can go beyond sustainability to "thriveability".

We talk to museum innovators around the world who are taking climate action, from the art on the walls to the food on the restaurant menu.

As world leaders gather at the Cop26 summit to discuss their nations' roles to combat climate change, many artists have also rallied behind the event by producing work that puts the issues at stake under the spotlight.

Cultural institutions have an ethical duty to speak out about the crisis, and are uniquely qualified to empower people to live more sustainably, says Horniman Museum director Nick Merriman.

The travelling installation will head to Scotland for Cop26, the 26th UN Climate Change Conference, which starts this weekend.

The goddess has gone home. After 108 years in a Saskatchewan museum, a small statue of the Hindu goddess Annapurna was reconsecrated in a joyous ceremony held this week at a temple in Varanasi, the spiritual centre of India.

The Culture Break Season 2 Finale aired on November 12. The final episode of Lord Cultural Resources’ weekly video series showcased Gail Lord and Frederic Bertley, President and CEO of COSI - Center of Science and Industry. On this video you’ll learn Frederic’s advice for young people who want to enter a career in science and find out how COSI is feeding underserved communities across the US with their learning lunch boxes program.

The Plywood Project documentary had its world premiere on November 11th at Doc NYC, one of the largest and most prestigious documentary film festivals.

The long-awaited museum has been embraced by the public during previews, but questions around artistic freedoms remain.

Signed at the UNESCO Headquarters in Paris, the agreement accelerates the ongoing cultural and socio-economic renaissance of AlUla by further protecting its historical, natural and cultural sites as well as its local culture, by fostering capacity building and knowledge transfer with experts from around the world joining RCU efforts to transform AlUla into a benchmark destination for heritage, nature, arts & culture.

The First Americans Museum (FAM) in Oklahoma City is now officially open to the public. It celebrates the 39 tribal nations living in the state of Oklahoma and incorporates the culture into the architecture and the exhibits of the museum.

The Canadian Museum for Human Rights (CMHR) is set to mark Indigenous Veterans Day in a bright and shining way. The tower atop CMHR will glow poppy red all this week to honour Indigenous veterans and to mark Remembrance Day on Thursday.

Site for black artists expected to open in 2024 with site-specific commission by Theaster Gates

Civil War–era protest poems in The Historic New Orleans Collection’s 2020 publication Afro-Creole Poetry in French, translated by Clint Bruce, inspired new works by three contemporary poets. In a series of videos, poets Kelly Harris-DeBerry, Kalamu ya Salaam, and Louisiana Poet Laureate Mona Lisa Saloy read their reactions to the 19th-century verse, alongside stirring readings of the originals by actor Ivan Griffin.

The book recently won a 2021 AAM Museum Publication Design Competition honorable mention in the book category. 

Announcement was made at yesterday's preview of Abu Dhabi Art 2021, where cultural leaders were keen to emphasise their commitment to the emirate following its strict lockdown.

For the first time in 20 months, vaccinated travelers from abroad were welcomed back into the U.S. this week.

Sunbeams rebound off a mirrored facade, abseilers perform stunts on the imposing 40m-high cauldron-shaped sculpture. This is The Depot in the Dutch city of Rotterdam, which will be exhibiting the Boijmans Van Beuningen's entire art collection of more than 150,000 pieces.

The Brooklyn Museum has made two major hires. Stephanie Sparling Williams will now be the institution’s curator of American art, beginning in December, and Kimberli Gant will be curator of modern and contemporary art, starting in January.

Displaying the looted artworks does “a huge amount of harm,” says director Ngaire Blankenberg, who has affirmed her commitment to repatriating the objects.

The National Trans-Atlantic Slavery museum which is to be built in or around Amsterdam in the next few years must focus on all Dutch former colonies, the Dutch culture council and the Amsterdam arts council have recommended.

Britain is once again reckoning with its imperial history during a week in which two ceremonies were held to mark the return of ancient looted artifacts to Nigeria from the UK.

A stack of renowned institutions will receive support in the latest round of funding from the Culture Recovery Fund.

Catch up on this week's news, fast.

Dutch master Rembrandt painted Militia Company of District II under the Command of Captain Frans Banninck Cocq (better known as The Night Watch) in 1642 and could never have predicted the strange life this painting would lead.

Design festivals and conferences started to recover after the pandemic this autumn. With the fair season coming to an end for another year, here are the 10 most popular events of 2021 according to visitors to Dezeen Events Guide.

Han Tümertekin & Collaborators project ‘Side by Side’ opened to the public at the Venice Biennale of Architecture. Our proposal “Side by Side” welcomes visitors at Arsenale di Venezia nowadays and addresses the question “How will we live together?”.

During the virtual exhibition “Invisible Ether” organized by the State Hermitage, one of the visitors tried to take an NFT painting out of the digital gallery. This is reported by the department of contemporary art of the museum.