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Nov. 18 – 24, 2011

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Featured Story

 

World's Most-Visited Museums

A majority of travelers choose to get their culture fix at these museums. How many have you visited?

Lyndsey Matthews, Travel + Leisure, November 2011

 

WORLD – “There’s a woman so captivating that millions travel just to set eyes on her. Even if da Vinci’s Mona Lisa isn’t your type, you can’t argue with the numbers: last year 8.5 million people streamed through the Louvre, which houses her, making it the world’s most-visited museum. Artistic masterpieces and scientific artifacts clearly interest travelers at least as much as attractions like the Eiffel Tower (visited by 6.7 million). We dug deeper to find out which 20 museums worldwide are considered must-sees worth the price of admission. The Louvre Museum, ranked No. 1, benefits from broad name recognition and an enviable art collection, but it also has the good fortune of being located in France, which—along with the U.S.—drew the most international tourists in 2010, according to the World Tourism Organization. More than half of the 20 most-visited museums are located in Paris, D.C., or New York City. …”

 


Cultural News, a free service of Lord Cultural Resources, is released at the end of every week by our Librarians: Brenda Taylor and Danielle Manning, French contributions from Ameline Coulombier and Camille Balmand of Lordculture. Beginning this week, Cultural News includes Spanish contributions from Lord Cultural Resources consultant Javier Jimenez. Follow us on Facebook and Twitter for the latest digest of cultural news.


Our Clients and Lord Cultural Resources in the News

 

Virée des musées en famille

Stéphanie Morin, La Presse, 23 novembre 2011

 

GATINEAU-OTTAWA – “Les jours sont courts et froids, mais la plupart des patinoires et des sentiers de ski de fond ne sont pas encore ouverts. Ne restent que la télé et les jeux vidéo pour amuser les petits? Détrompez-vous, la région de Gatineau-Ottawa compte de nombreux musées qui les fascineront tout autant que leurs parents. En voici trois.

Musée des enfants Défense de toucher quand on est au musée? Pas ici! Ce musée est un vaste terrain de jeu pour petits touche-à-tout, où ils peuvent manipuler des centaines d'objets, revêtir des costumes des quatre coins du monde et collectionner les estampes dans leur passeport pour le tour du monde. […]

Musée canadien de la nature

Après six ans de travaux de son magnifique édifice centenaire, le musée a rouvert ses portes l'an dernier. Derrière la façade gothique Tudor rénovée - coiffée désormais d'un lanternon de verre -, des espaces d'exposition réaménagés servent d'écrin à l'imposante collection du plus vieux musée national du Canada. […]

Musée canadien de la guerre

Des enfants dans un musée consacré aux grands conflits armés qui ont marqué le Canada? Pourquoi pas. S'ils ont plus de 9 ou 10 ans - ou s'ils sont fascinés par les chars d'assaut, les avions, les blindés... -, la visite pourrait les passionner. …”

 

Pushkin museum Italian treasures just a click away

RT.com, Published: 23 November, 2011, 13:44, Edited: 23 November, 2011, 19:19

 

MOSCOW – “Moscow’s Pushkin Museum of Fine Arts boasts a truly impressive collection of Italian paintings. Now, one no longer needs leave the house in order to see them: over 500 works, from Veronese to De Chirico, are available from the comfort of your sofa. In a challenging multimedia project involving dozens of scientists, years of work and some $135,000, the museum has placed its Italian collection online. The website is available in three languages – Russian, English and – naturalmente! Italian. Masterpieces from the 8th to the 20th century were carefully photographed and digitalized to convey their unique beauty and show every crack and detail. …”

 

Future of Royal Alberta Museum’s Glenora site unknown

Vicky Laliotis, West Edmonton Local, 23 November 2011

 

EDMONTON — “Now that federal funding to rebuild the Royal Alberta Museum downtown has come through, heritage advocates have high hopes for the current west Edmonton site. Edmonton Centre MP Laurie Hawn announced on Nov. 16 that the federal government would put $122.5 million towards the project on the condition that construction on the new site begins by November of next year. A design-build contract was signed with Ledcor Design Group, with plans for the provincial museum to take up residence just north of City Hall by 2015 now in full swing. …”

 

Smithsonian named one of the 10 best places to work in the federal government in 2011

Recent News, artdaily.org, 21 November 2011

 

WASHINGTON, DC.- The Smithsonian Institution has been named one of the 10 Best Places to Work in the Federal Government. The rankings were released today by the non-profit Partnership for Public Service headquartered in Washington, D.C. This is the second year that the Smithsonian participated in the survey. The Institution ranked fourth in the top 10, the same ranking as last year. Employee satisfaction at the Smithsonian was 76 out of 100, 12 points higher than the overall Best Places to Work index score for the federal government. “We’re delighted to be in the top 10 again, but it is no surprise because our employees come to work with a can-do attitude and a commitment to serve the public,” said Smithsonian Secretary Wayne Clough. “I see it every day in many different ways and I’m proud of our passionate people and all they do to make the Smithsonian a better place.” …”

 

Heather Conway: Artful connecting with art

Richard Blackwell, The Globe and Mail, 21 November 2011

 

TORONTO – “Heather Conway has been a top executive at high-profile public companies including Toronto-Dominion Bank and Alliance Atlantis Communications Inc. After a stint as CEO of public relations firm Edelman Canada, she made a sharp shift out of the private sector, recently taking on the newly created position of chief business officer at one of Canada’s premier cultural institutions, the Art Gallery of Ontario. …”

 

Abu Dhabi Art 2011: 50 prestigious and innovative galleries participate in this year's edition

Recent News, artdaily.org, 18 November 2011

 

DUBAI – “The third edition of Abu Dhabi Art, the leading platform for international modern and contemporary art, has today launched its diverse 2011 programme on Saadiyat Island. Abu Dhabi Art 2011 will be housed in the new UAE Pavilion which was designed by Foster + Partners as well as Manarat Al Saadiyat, the Saadiyat Cultural District’s exhibition center, opened since 2009. The huge UAE Pavilion, originally designed for the Shanghai World Expo 2010 has been relocated in more than 24,000 individual parts and was inspired by the golden sand dunes of the Emirates.

Organised by Tourism Development & Investment Company (TDIC) and the Abu Dhabi Authority for Culture & Heritage (ADACH), this year’s expanded international programme includes a boutique art fair made up of around 50 prestigious and innovative galleries as well as exhibitions, film screenings, panel discussions and more. This year will also see a larger design platform and workshops with leading practitioners, a family focused ‘Art Zone’ and an exclusive VIP Zone, the Majilis. …”

 

Western professor leaves lifetime collection to Museum of Nature

Paul Mayne, Western News, 17 November 2011

 

LONDON, ON – “While it was simply a hobby for Frank Cook, the Canadian Museum of Nature has cashed in with the amateur naturalist’s donation of more than 1,500 plant specimens including rare and endangered species of mosses.

The University of Western Ontario professor emeritus (botany/biology) amassed his collection over more than 35 years of fieldwork, starting around 1970. The 90-year-old Cook, who now lives on Barrie, taught plant physiology at Western for 35 years prior to retiring in 1987. …”

 

Marc Mayer: The National Gallery and Taxpayers’ Money

Leah Sandals, Canadian Art, Nov 16 & 17 2011

 

OTTAWA – “Last week, National Gallery of Canada director Marc Mayer gave free public talks in Toronto and Winnipeg on an often-controversial topic in the arts: taxpayers’ money. In it, Mayer discussed misconceptions that the general public and art insiders alike often have about art, artists, art museums and the art economy. He also spoke about his wish to make art more accessible to all Canadians. Here, in this condensed follow-up phone interview, Mayer talks with Leah Sandals about the gallery’s budget (slated this year at approximately $58 million), where it comes from, and what he’s planning on doing with it in the future. …”

 


Museums

 

National Museum of Scotland welcomes millionth visitor

Staff thought it would take a year to reach the landmark number but it has been just 119 days since the doors reopened.

STV, 24 November 2011 10:47 GMT

 

EDINBURGH – “The National Museum of Scotland has welcomed its millionth visitor since it reopened four months ago. It has been just 119 days since the museum opened its doors to the public after a £47m renovation. Staff thought it would take them a year to reach the milestone figure. The millionth visitor was one of a group of nursery children from Stockbridge Primary in Edinburgh. The attraction has seen a record number of visitors through the doors since the refit. The highest figure it has ever seen was in 2007/08 when 833,324 people went to the museum. …”

 

Knesset to vote on bill to allow state funding of West Bank museums

Bill to be brought before the Knesset for its first reading next week, over the objections of representatives of the Justice Ministry and the Defense Ministry.

Jonathan Lis and Daniel Rauchwerger, Haaretz, Published 00:44 24.11.2011, Latest update 00:44 24.11.2011

 

WEST BANK/ISRAEL - “The Knesset Education and Culture Committee on Wednesday approved a bill that would allow museums in West Bank settlements to apply for state funding. The bill is to be brought before the Knesset for its first reading next week, over the objections of representatives of the Justice Ministry and the Defense Ministry. If the bill becomes law, 15 museums in various Jewish settlements, including Kiryat Arba, Ma'aleh Adumim and Ariel could apply for funding. …”

 

En las entrañas del Museo Arqueológico Nacional

María Cappa, El Mundo, 23 November 2011-11-24

 

MADRID, SPAIN – “Cuatro meses después de su cierre temporal, el Museo Arqueológico Nacional (MAN) abre de nuevo sus puertas. Desde mañana y hasta el 30 de diciembre ofrece un programa de visitas guiadas, previamente concertadas, de 90 minutos de duración. Los visitantes podrán ser testigos de la transición del proceso final de las obras civiles (arreglos en el edificio) y museológicas (restauración de las obras de arte) a la primera fase de la apertura definitiva del Arqueológico. A principios de 2012 se prevé que esté lista la Exposición Permanente, que contará con las 200 mejores piezas de la colección del MAN. También estarán habilitadas dos exposiciones: (…) Este artista ha realizado una serie fotográfica que refleja todo el proceso de las obras de renovación, estructural y museográfica, desde el comienzo. Su exposición supone un refuerzo visual de la visita, que culmina con una videoinstalación también dirigida por Ballester.”

 

Songtangzhai Museum rises from rubble

Zhao Chenyan, China Daily, Updated: 2011-11-23 09:37

 

BEIJING – “Peacefully tucked away on tree-lined Guozijian Street in Beijing, Songtangzhai Museum appears to be a tiny little antique without any shiny modern decorations. Yet when you approach it, you will find every part of it is engraved with brilliant but mostly unfamiliar traditional Chinese culture. Located on Guozijian Street of Beijing, Songtangzhai Museum is China's first folk carving museum that collects ancient relics of carvings retrieved from the rubble of demolition sites across the capital of China, and it also is called the "picked museum." Founded in October 2001, Songtangzhai Museum exhibits thousands of collections mainly consisting of folk items, such as elaborate gate piers, exquisite wooden doorways, and delicate screens, which occupy a courtyard in Beijing. …”

 

Bike museum in planning stages

Nicholas Cole, Houston Chronicle, Published 05:46 p.m., Tuesday, November 22, 2011

 

HOUSTON – “More than 20 years ago Joy Boone, owner of Daniel Boone Cycles, 5318 Crawford, had a vision to build a bicycle museum. This week she took the first step to make it a reality. "I'm turning 75 years old this year; so it's now or never," said Boone, who recently hosted a fundraising event at the Hermann Park Garden Center, 1500 Hermann Drive, for the newly formed Houston Bicycle Museum organization. …”

 

Iconic Museum Hopes to Open in Kansas City

Rob Low, Fox 4 Kansas City News, 9:58 pm, November 22, 2011

 

KANSAS CITY, MISSOURI – “The best kept secret in Kansas City may be a museum filled with the world’s largest collection of Advertising Icons.  Everything from human sized replicas of the Jolly Green Giant and the Pillsbury Doughboy to the Gieco Lizard and Tony the Tiger. They are among some three-thousand items that have been collected by a local group of advertising executives. Two hundred of the most popular icons are housed in an old firehouse in the Crossroads District.  But they’re not on public display, at least not yet.  The Executive Director of the Advertising Icon Museum, Howard Boasberg, says the museum needs to raise three to four million dollars to pay for a bigger building and staff to put the entire collection on display. …”

 

Le fac-similé de la grotte Chauvet confié à Kléber Rossillon

Artclair, 22-11-2011

    

LYON – “Le conseil régional de Rhône-Alpes a annoncé lundi 21 novembre le choix du gestionnaire de la future réplique de la grotte Chauvet. Il s’agira de Kléber Rossillon, la société déjà à la tête du Musée de Montmartre. Le site devrait ouvrir en 2014. Le conseil régional de Rhône-Alpes a tranché, la future reproduction de la grotte Chauvet sera exploitée par Kléber Rossillon. La société de gestion privée, créée en 1995, est déjà opérateur du Musée de Montmartre depuis juin 2011, ainsi que du train de Vivarais (Ardèche), du château-musée de Castelnaud et des jardins suspendus de Marqueyssac (Dordogne). Selon l’AFP, elle était en concurrence avec deux autres candidats et devait présenter un projet prenant en compte différents critères, tels que « les investissements nécessaires pour la réalisation de l’espace, l’adaptation de la politique tarifaire, la coopération avec les acteurs locaux, la préservation de l’environnement ou encore la restauration en circuit court ». …”

 

China Civil Aviation Museum opens

China Daily, Updated: 2011-11-22 17:13

 

BEIJING – “China Civil Aviation Museum, located in northeast Beijing on a side road leading to Beijing Capital International Airport, opened on Nov 21. With a total of 130 million yuan in funding, the museum houses a wide array of both model and real planes covering different periods of China's civil aviation history. Among them, there is the IL-14 aircraft that used to shuttle the late Chinese leader Chairman Mao. …”

 

Britain's first Gaelic museum is to open in Stornoway thanks to lottery funding

Jenni Davidson, Culture24, 22 November 2011

 

STORNOWAY, ISLE OF LEWIS, SCOTLAND – “The first museum in the UK to use Gaelic as its first language is to open on the Isle of Lewis. The Heritage Lottery Fund has announced that it is investing £4.6 million in a new museum and visitor accommodation in Stornoway. It is hoped that the museum will become a key destination and encourage tourism in the Western Isles. The new museum will display the collections of Museum nan Eilean, as well as supporting the work of more than 20 different heritage organisations which have been collecting material relating to Gaelic communities during the past 30 years and who now have unrivalled archives of photographs, documents and memorabilia. …”

 

General Assembly of ICCROM appoints new Director-General

Recent News, artdaily.org, 22 November 2011

 

ROME – “ICCROM held its 27th General Assembly from 14-16 November 2011 at the FAO headquarters in Rome. During the packed three-day schedule, delegates appointed Stefano De Caro of Italy as the new Director-General; approved the organization’s programme and budget for cultural heritage training activities for the next two years; welcomed Afghanistan, Iraq and the United Arab Emirates to the list of Member States; and awarded the prestigious ICCROM Award to Herb Stovel for his outstanding contribution to the conservation profession. …”

 

Marxism museum to be launched in China

Xinhua English News, 2011-11-21 18:57:38

 

BEIJING – “The China Marxism Museum will open before the end of this year, the museum's sponsor said on Monday. Sponsored by the Central Compilation and Translation Bureau (CCTB), the museum will feature collections of Marxist works that have been translated and published in China over the last 100 years. …”

 

Clyfford Still Museum in Denver reintroduces the life and work of the American artist

Recent News, artdaily.org, 21 November 2011

 

DENVER, CO – “The Clyfford Still Museum opened its doors to the public on November 18, 2011, reintroducing the life and work of one of America’s most significant yet least understood artists. The new museum, which houses 94% of Clyfford Still’s total creative output, allows the public to explore the full trajectory of the artist’s 60-year career for the first time, including his rarely seen figurative works from the 1930s, paintings from the 1960s and 1970s created after Still’s retreat from the commercial art world, and the hundreds of works on paper that the artist created, often on a near-daily basis. The museum’s collection of approximately 2,400 paintings, drawings, prints, and sculptures, the majority of which have never been on public display before, provides an unprecedented opportunity to reflect on the full scope of Still’s legacy and his profound influence on American art. …” [see also Ouverture du Musée Clyfford Still à Denver, Artclair, 21 novembre 2011]

 

La ville de Nice accueillera un musée Arman

Artclair, 21 novembre 2011

 

NICE/PARIS - “La veuve d’Arman a annoncé jeudi 17 novembre la création prochaine à Nice d’un musée dédié à l’artiste. Une décision que les héritiers du plasticien saluent. Ils protestent cependant contre la nouvelle acquisition du Musée d’art moderne et contemporain de la ville. Le prêt de l’une de ses œuvres, une voiture de sport dynamitée, aurait été acté sans leur aval. …”

 

Anger at Walmart heiress's $1.4bn gallery as art market becomes focus for protests

Crystal Bridges Museum for American Art is built at vast expense in rural Bentonville as supermarket giant cuts benefits for workforce

Edward Helmore, The Guardian – The Observer, 20 November 2011

 

UNITED STATES - “When Alice Walton, heiress to the Walmart supermarket fortune and the 10th richest woman in the United States, opened a spectacular fine art museum in her home town, she might have expected plaudits and gratitude. It hasn't quite worked out that way. The long-awaited opening of the Crystal Bridges Museum for American Art in Walton's home town of Bentonville, Arkansas, has provoked mixed reactions. Some have celebrated the unveiling of a significant new private art institution, but many have criticised the decision to spend $1.4bn of company and family foundation money as the retail colossus cuts back its workers' benefits. Protesters at the museum have informally joined forces with the Occupy Wall Street camps across the US and point to growing ties between the Occupy movement and established trade unions. …”

 

New museum dedicated to photography opens in city

Anatolia News Agency, Hurriyet Daily News, Sunday, November 20, 2011

 

ISTANBUL – “Turkey’s first photography museum, the Istanbul Photography Museum, opened Saturday in collaboration with the Fatih Municipality and the Photography Friends Association. The museum, covering an area of 1,000 square meters in Fatih’s Kadırga district, includes five photography galleries, a photo archive and a library. …”

 

Lancaster Quilt & Textile Museum will fold

Sale of building could liquidate debt, endow other projects

Bernard Harris, Intelligencer Journal, Lancaster New Era, Updated Nov 18, 2011 23:04

 

LANCASTER, PENNSYLVANIA – “When the Lancaster Quilt & Textile Museum opened in 2004, organizers expected between 35,000 and 55,000 people to come through the doors to see the famous Esprit Collection of Amish quilts. That never happened. This year, only 8,500 have paid admission to the 37 N. Market St. museum. And it simply was not enough to keep operating. On Friday afternoon, the Heritage Center of Lancaster County board announced the museum will cease regular daily operations at the end of the year and the building will be offered for sale. The museum will be opened to groups on a reservation basis and for special events through the end of 2012. "It was a flawed business model. It was the best of intents, but it never worked," board President Sharron Nelson said of the quilt museum. ...”

 

Award Unites Artists, Collectors and a Museum

Reyhan Harmanci, The New York Times, 18 November 2011

 

SAN FRANCISCO – “They come in buses, 50 or so Bay Area contemporary art collectors, consultants and enthusiasts, to visit 30 select emerging artists every two years. For six Saturdays, the well-heeled lot traipses through small studios and edgy galleries, looking at delicate line drawings and sprawling sculptural installations alike, to meet the people they hope will become the next generation of Bay Area visual art stars. “It’s the ultimate backstage pass to the contemporary art world,” said Marianna Stark, a San Francisco collector. “People sit enraptured when the artists and curators talk.” The studio visits are just one part of an art tradition that has helped bring together ambitious Bay Area artists, enthusiastic collectors and the San Francisco Museum of Modern Art for the past 50 years under the auspices of a museum auxiliary club of which Ms. Stark is a member, the Society for the Encouragement of Contemporary Art. …”

 

Get cultured for nothing and your art for free

James Adams, From Saturday's Globe and Mail, Published Friday, Nov. 18, 2011 7:10PM EST

 

TORONTO – “Ask Samara Walbohm how she’s feeling today and she’ll probably say what she said earlier this week: “Excited. Nervous. Scared.” In fact, she’s probably been feeling that way since May when she and her husband, Joe Shlesinger, signed a five-year lease on an L-shaped, 500-square-metre space down an alley near the eternally funky intersection of Bloor West and Lansdowne. Positioned unprepossessingly between an auto-body shop and a marble-fixtures retailer, the former warehouse/wine-fermentation outlet with the “very Chelsea-20-years-ago kind of feel” is in the final, hectic throes of a white-walled conversion into Scrap Metal – the name Ms. Walbohm and Mr. Shlesinger are giving to what they hope – heck, believe – will become one of Toronto’s most important venues for visual arts and ancillary activities. Maybe even for Canada. It’s a non-commercial gallery scheduled to open to the public Dec. 9. …”

 

It's Not Easy Being Single

Daniel Grant, The Wall Street Journal, November 17, 2011

 

UNITED STATES - “When the Andy Warhol Museum in Pittsburgh opened in 1994, it showed only the artist's work, largely in chronological fashion. However, "pretty early on," said Eric Shiner, the museum's current director, "people realized that they didn't want this museum to be a mausoleum but, rather, a vibrant place that is connected to what else is going on in contemporary art. You don't want visitors to say, 'Now, I can check that off the list. I don't need to go back.'" So the museum—which continues to be a permanent display of Warhol's work, laid out chronologically and thematically—reinvented itself by the late 1990s into an institution that "tells the story of Warhol but also keeps his legacy" by showing artwork by the artist's contemporaries and those influenced by him. …”

 

What should we do with “our” antiquities?

US museum directors wrestle with the long-term consequences of artefacts acquired without watertight provenance

Erica Cooke, The Art Newspaper, Issue 229, November 2011, Published online: 17 November 2011

 

UNITED STATES - “One year on from the collapse of the five-year trial in Rome of Marion True, the former antiquities curator of the Getty, the directors of US museums that possess antiquities collections and the curators who are responsible for them face a multitude of challenges, one of which is the potentially negative publicity surrounding claims for the restitution of artefacts.  …”

 

Le Liechtenstein museum de Vienne ferme ses portes au public

Artclair, 17 novembre 2011

 

VIENNA - “Le prince Hans Adam II, propriétaire du Liechtenstein museum de Vienne, a annoncé la fermeture au public de son établissement, à compter de février 2012. Accueillant l’une des plus grandes collections privées du monde, le musée souffre d’un manque de visiteurs : 45 000 par an au lieu des 300 000 espérés. Les collections permanentes resteront néanmoins accessibles sur réservation. …”

 

La Fondation Van Gogh d’Arles se dote de nouveaux locaux

Artclair, 17 novembre 2011

 

ARLES, FRANCE - “A Arles, la Fondation Van Gogh a lancé un vaste projet de lieu d’exposition, dédié à la fois à l’artiste dont elle porte le nom et à l’art contemporain. Installé dans un hôtel particulier du centre historique, l’ouverture de ce nouvel espace est prévue au printemps 2013. …”

 

2012 The Travelling Chinese Museum

Chinese Museum, November 2011

 

MELBOURNE, AUSTRALIA – “Is an excursion to the Chinese Museum out of the question for your school? Now we can bring the Chinese Museum to you. The Travelling Chinese Museum – presents an exciting program of cultural experiences encompassing various areas of the curriculum to your classroom. …”

 


Architecture

 

Montreal museum unveils extension

Montreal museum exhibits celebration of Canadian cultural heritage through redevelopments devoted to fine arts

Tom Aston, World Architecture News, 24 November 2011

 

MONTREAL – “The museum of Montreal, having recently turned the ripe age of 150 is rejuvenating its inner façade, offering a revamped tribute to Canada’s rich cultural heritage. The two dominating elements to this structural progression are a starkly extended gallery in addition to a 444-seat concert hall. Having already become available to the general public in October 2011, those visitors to have already graced its latest fare would have absorbed a guaranteed 20% extra offering of fine art. The Claire and Marc Bourgie Pavilion features 18,953 sq ft. of exhibition space, doubling the previous display area afforded to the attraction’s collection. It is hoped some 600 works of Canadian art will now be on display, including recently restored works and many major acquisitions. …”

 

Building the Future: The Aga Khan Museum

The first of its kind in the Western world

Fannie Sunshine, Inside Toronto, 24 November 2011

 

TORONTO – “Come 2013, a $300-million Ismaili project will come to life on Wynford Drive. Ground was broken on the project during a May 2010 ceremony, which was attended by Prime Minister Stephen Harper and the Aga Khan. The 17-acre development in the Don Mills Road and Eglinton Avenue area will be made up of the Ismaili Centre Toronto, the Aga Khan Museum and a park. The two main buildings are starting to take form, with external construction slated for completion at the end of the year. Work on the interior will begin in 2012. …”

 

Contemporary Art Museum in Raleigh receives six architectural design awards

Recent News, artdaily.org, 23 November 2011

 

RALEIGH, NC – “CAM Raleigh announces that it has received six architectural design awards since opening in April 2011. A partnership between the community and North Carolina State University’s (N.C. State) College of Design, to date CAM Raleigh has received a 2011 AIA Design Award (Merit), an AIA Tower Award, the 2011 Carraway Honor Award of Merit from Preservation North Carolina, the 2011 Sir Raleigh Walter Award for Community Appearance, and a Downtown Raleigh Alliance Imprint Award. Located in an early twentieth-century structure in the Depot National Register Historic District, the museum’s 25,000 square-foot home inside a downtown warehouse was designed and renovated by the architectural team of Clearscapes and Brooks + Scarpa. Celebrated highlights of the building’s new design include a dramatic deconstructed roofline, new lobby, and state-of-the-art gallery spaces. …”

 

Foster’s Proposal for New U.K. Airport Fuels Debate

Peter Reina, Architectural Record, 21 November 2011

 

KENT – “As London’s main international airport at Heathrow nears full capacity, momentum is growing in the U.K. for a major new hub in the Thames Estuary. London Mayor Boris Johnson has been lobbying hard for an estuary airport for two years. Recently, architectural heavyweight Sir Norman Foster proposed a rival $80-billion estuary project that includes high-speed rail, tidal power and a major new utilities and data spine. Foster’s Thames Hub would be built at the end of the Isle of Grain, Kent, some 55 kilometers east of central London. Over a third of the 40,000-hectare airport would be on land reclaimed, with about 280 million cu meters of material from the estuary. With four 4-km-long runways, the airport’s 150-million annual passenger capacity would be more than twice Heathrow’s, says Foster, chairman of Foster & Partners, London. Foster and two other firms developed the plan on their own. …”

 

Spanish Cabezo de la Almagra Museum and Archeological Park Rises from the Ruins

Ana Lisa Alperovich, Inhabitat, 11/18/2011

 

HUELVA, SPAIN – “The Spanish city of Huelva has opened a peculiar new building to exhibit their archeological treasures. Designed by architect Sebastian Cerrejon Hidalgo, the Cabezo de la Almagra Museum and Archeological Park boasts a recycled weathered steel shell that is in constant transformation. Located atop a historic hill, where many of the archeological remains it holds were found, the building's rusty encasement symbolizes the passage of time while evoking change in a poetic way. …”

 

An Icon Reimagined: Part of Sir Norman Foster's landmark Sainsbury Centre extensively redeveloped

World Architecture News, 17 November 2011

 

NORWICH, ENGLAND – “Celebrated worldwide as one Europe’s most impressive late Modern architectural structures and one of the building blocks of Sir Norman Fosters’ remarkable career, the Sainsbury Centre for Visual Arts is located on the campus of the University of East Anglia and acts as a constant visual inspiration for the institution’s students. On 4th February 2012 the doors will open to a set of brave new architectural developments at the Centre undertaken by an experienced design team including Foster + Partners and George Sexton Associates. Due to extend over the next few years the scheme will transform the western end of Fosters’ acclaimed structure however the first phase includes the formulation of two new galleries, a post-graduate study centre, a sculpture garden and a chic restaurant and bar. …”


Technology

 

Museum London reaches into cyberspace

Sean Meyer, London Community News, 22 November 2011

 

LONDON, ONTARIO – “Based on the small number of pieces typically on display at any one time, most visitors to Museum London would be shocked to know there are more than 5,300 pieces contained within its walls. Unfortunately, the vast majority of those works are locked away in storage, far from public eyes. However, a move into cyberspace may just help fix this situation. Museum personnel are currently photographing every piece in the collection with the goal of posting those images online this spring. …”

 

Chickens, eggs & QR codes

Seb Chan, Fresh and New(er), November 21st, 2011

 

“Adam Greenfield at Urbanscale just posted some interesting research his team has been doing in NYC on the citizen familiarity of QR codes. This is especially timely as QR codes are getting a lot of interest (finally) from the cultural sector. The Powerhouse Museum in Sydney has been doing QR codes for a few years – first failing – but now perhaps getting good traction with them now that the code scanner is built into the exhibition catalogue App. Shelley Bernstein’s team at the Brooklyn Museum have also been rolling them out. And Wikipedia’s been promoting the nifty language ‘auto-detect’ QR codes that Derby Museum & Art Gallery have developed (QRpedia). But there are still very valid concerns about the appropriateness of them – especially now that visual recognition is coming along rapidly (see Google Goggles at the Getty) and maybe even NFC might gain traction (see Museum of London’s Nokia trial). QR codes feel very much like a short term intermediate solution that isn’t quite right. …”

 

Valentino To Launch Virtual Museum Featuring 5,000 Images, 95 Runway Shows and More; Here’s a Peek

Dhani Mau, Fashionista, Monday, Nov 21, 2011 / 9:49 AM

 

“When so much of the fashion world seems to be launching retrospective coffee table books and museum exhibitions, Valentino is cutting out the high price tags and long lines with a virtual museum. It’s literally an entire museum dedicated to Valentino, but on your computer through a desktop application you can download online on December 5. According to a release, the retrospective museum, which spans 50 years of Valentino, would cover over 100,000 square feet if it were real. …”

 

Quietly, Google Puts History Online

Eric Pfanner, The New York Times, 20 November 2011

 

PARIS — “When the Israel Museum in Jerusalem, home to the Dead Sea Scrolls, reopened last year after an extensive renovation, it attracted a million visitors in the first 12 months. When the museum opened an enhanced Web site with newly digitized versions of the scrolls in September, it drew a million virtual visitors in three and a half days. The scrolls, scanned with ultrahigh-resolution imaging technology, have been viewed on the Web from 210 countries — including some, like Afghanistan, Iran, Iraq and Syria, that provide few real-world visitors to the Israel Museum. “This is taking the material to an amazing range of audiences,” said James S. Snyder, the museum’s director. “There’s no way we would have had the technical capability to do this on our own.” The digitization of the scrolls was done by Google under a new initiative aimed at demonstrating that the Internet giant’s understanding of culture extends beyond the corporate kind. The Google Cultural Institute plans to make artifacts like the scrolls — from museums, archives, universities and other collections around the world — accessible to any Internet user. “We’re building services and tools that help people get culture online, help people preserve it online, promote it online and eventually even create it online,” said Steve Crossan, director of the institute, which is based in Paris. …”

 

Noguchi Museum launches digital catalogue raisonné of artist's work in all mediums and genres

Recent News, artdaily.org, 19 November 2011

 

LONG ISLAND CITY, NY – “The Isamu Noguchi Foundation and Garden Museum (The Noguchi Museum) today—the 107th anniversary of the artist's birth—launched The Isamu Noguchi Catalogue Raisonné, posting the first installment on the Museum's website: http://catalogue.noguchi.org. An ongoing digital publication, the catalogue raisonné presents comprehensive information on all categories of Noguchi's practice, encompassing sculptures, drawings, models, architectural spaces, stage sets, and manufactured designs, as well as a chronology, bibliography, and list of exhibitions. Access to the publication—one of the first catalogues raisonnés to be published digitally—is free of charge. …”

 

New Museum Exhibit Invites Visitors to Smell the Moon, Nuke an Asteroid or Colonize Mars

John Matson, Scientific American, November 19, 2011 

 

NEW YORK CITY—”Beyond Planet Earth,” the slick new exhibit on space exploration at the American Museum of Natural History, is thoroughly modern. It has an augmented-reality iPhone app that produces hovering, three-dimensional animations. It has an interactive station where museumgoers can terraform a virtual Mars on a giant touch-screen to make the Red Planet habitable. It even has an interactive display that challenges visitors to divert a giant asteroid bearing down on Earth. …”

 

Wikipédia, 10 ans de patrimoine numérique

Artclair, 18 novembre 2011

 

PARIS - “Cette année, l'encyclopédie en ligne Wikipédia a fêté ses dix ans. Devenue incontournable, elle n'est que la face immergée d'un univers participatif qui a révolutionné la notion de savoir et d'accès à la culture. Artclair.com se penche sur ce phénomène en proposant un grand dossier en 7 épisodes. ”

 

A Visitor’s Experience: The Good, the Bad and the Ugly of Smartphone Apps in Art Museums

Ashley Paulisick, Technology in the Arts, November 18, 2011

 

“Having the good fortune of living in Europe for a few years with many of the world’s most beloved fine art institutions in my backyard, I was pleased to test a myriad of their recently launched apps. There is much to be said for the wonderful ways in which mobile devices can enhance the visitor experience. Of course, there are also downfalls attributed to the growing pains associated with mobile. Often I was impressed, entertained, educated, annoyed, and confused – sometimes all simultaneously. Since mobile planning and implementation can be a backend-focused undertaking for museum staff, the following simply offers the perspective of a museum visitor with a smartphone in tow. …”


Art and Culture

 

County's cultural programs, plans discussed at Lauderdale meeting

Jonathan D. Marcus (Forum Publishing Group), Sun Sentinel, 24 November 2011

 

BROWARD COUNTY, FLORIDA – “County officials reviewed cultural arts programs and goals at a recent meeting in Fort Lauderdale. The Broward Cultural Council's annual community planning forum at the African-American Research Library and Cultural Center outlined accomplishments and aspirations and provided an opportunity for public comment. The Broward County Cultural Division, which offers a variety of arts-related services, programs and workshops, hosted the event. Cultural division staff and council members cited numerous achievements during fiscal year 2011. The CreativeBROWARD 2020 plan, the county's arts and culture blueprint for the next decade, has been well-received and earned several national awards, said cultural division director Mary Becht. …”

 

Creative Europe: Commission unveils plan to boost cultural and creative sectors

European Festivals Association, 23 November 2011

 

EUROPE - “Thousands of people working in cinema, TV, culture, music, performing arts, heritage and related areas would benefit from increased EU support under the new 'Creative Europe' programme unveiled by the European Commission today. With a proposed budget of €1.8 billion for the period 2014-2020, it would be a much-needed boost for the cultural and creative industries, which are a major source of jobs and growth in Europe. The new programme would allocate more than €900 million in support of the cinema and audiovisual sector (area covered by current MEDIA programme) and almost € 500 million for culture. The Commission is also proposing to allocate more than €210 million for a new financial guarantee facility, which would enable small operators to access up to €1 billion in bank loans, as well as around €60 million in support of policy cooperation and fostering innovative approaches to audience building and new business models. …” [see the European Commission’s Culture site at http://ec.europa.eu/culture/creative-europe/ for more information]

 

EFA proposes festival policy at European Parliament’s CULT Committee

European Festivals Association, 23 November 2011

 

GENT – “On 22 November 2011, the European Festivals Association (EFA) presented a proposal for a pilot project introducing a future festival policy at EU level to the Members of the European Parliament at the Committee on Culture and Education: “Europe for Festivals – Festivals for Europe”. The proposal foresees the publication of a Festival Guide, an EU Award ‘Festivals for Europe’ and an EU Label. Its aim is to add value to the festival scene and to allow the European project to benefit from the dynamics of festivals at the same time. …”

 

6 Successful Crowdfunded Public Art Projects

Amy Biegelsen, The Atlantic Cities, Nov 22, 2011

 

“Maybe it’s Congress’s ultra-low approval rating – on par with Hugo Chavez! – that has it trying to get in with the cool kids by considering a bill that would make it easier for businesses to raise capital through crowdfunding. Crowdfunding has taken off among artists and entrepreneurs as an easier way to raise money from the public through websites that pitch their project and collect the cash. Some sites take a percentage of the money earned, impose a deadline, or don’t charge donors until a goal is met. Although sites like RocketHub, fansnextdoor, and artistShare provide similar platforms for people to pass along money to create work they want to support, Kickstarter seems to have fielded the rowdiest roster of major public art projects in cities. Take a look at how crowdfunding got its street cred with these six recently funded public art projects. …”

 

Theft of sculpture piece a ‘shocker’

Urn from MacLaren exhibit was to be returned to McMichael gallery later this month

Mark Bruineman, Barrie Examiner, 22 November 2011

 

BARRIE, ONTARIO – “It may have been a passionate art collector who hacked off the urn of one of a series of sculptures along the waterfront last week. It was likely someone with the time to saw through three metal legs supporting the bronze valued at $150,000. And the perpetrator was strong enough to haul away the 150-pound sculpture. But, the bottom line is that Barrie police are now in search of an art thief. "We were shocked," said Sue-Ellen Boyes of the MacLaren Art Centre, Barrie's caretaker of the borrowed work. "It's been there, happily ensconced on the Barrie waterfront since 2003." Oddly, the series of sculptures called Babylon, was set to be repatriated with the McMichael Canadian Art Collection in Kleinburg this month. …”

 

Cinq villes candidates à l’organisation de l’Exposition universelle 2020

Artclair, 22 novembre 2011

 

PARIS - “Le Bureau International des Expositions (BIE) a dévoilé le nom des cinq villes candidates à l’organisation de l’Exposition universelle 2020. Les cent cinquante-sept états membres de l’organisation devront trancher en novembre 2013 entre Izmir, Ayutthaya, Sao Paulo, Ekaterinbourg et Dubaï. …”

 

Yvon Lambert donne sa collection à l’Etat

Artclair, 22 novembre 2011

 

AVIGNON, FRANCE - “Yvon Lambert a officialisé la donation de sa collection à l’Etat, le 18 novembre 2011, lors de la visite de Nicolas Sarkozy à la collection Lambert en Avignon. L’Etat maintiendra les 450 œuvres d’art contemporain en dépôt inaliénable à l’hôtel de Caumont et aidera à l’extension des surfaces d’exposition des collections. Cette donation est l’une des plus importantes réalisées au profit de l’Etat depuis celle de Picasso en 1974. …”

 

PSCHIT – Des graffeurs new-yorkais créent une galerie de street art sous Paris

Le Monde, 21 novembre 2011

 

“L'an dernier, un groupe nommé The Underbelly Project (le "projet bas-ventre"),dévoilait un hall d'exposition de street art rare au New York Times : dans une galerie de métro désaffectée, à Brooklyn, il avait fait travailler une centaine d'artistes, certains bien côtés sur le marché de l'art, comme Ron EnglishSwoon et Revok et d'autres inconnus du grand public. …”

 

A Transcendent, if Rare, American Outreach

Ian Johnson, The New York Times, 21 November 2011

 

BEIJING — “It was the kind of moment that the organizers of the Asia Society’s cultural mission to China had been hoping for. As the Chinese-American cellist Yo-Yo Ma performed an eclectic, quirky concert showcasing American culture, one of China’s rising political stars gave her blessing, standing up to wave to the crowd between pieces. With tensions rising between the two powers, the concert was a rare moment when art really did seem to transcend politics.  The event was part of the U.S.-China Forum on the Arts and Culture, which brought over such artists as Mr. Ma, the actress Meryl Streep, the director Joel Coen and the authors Amy Tan and Michael Pollan. It included an organic cooking class (in the land of MSG and pesticides), a discussion on media censorship (in a country with elaborately monitored Internet), movie screenings and, at the Friday night concert, the improbable sight of Mr. Ma and Ms. Streep mock-kowtowing to each other, ending up prostrate on the floor and leaving the mostly Chinese audience in stitches. “Our intention was to be spontaneous and somewhat risk-taking,” said Orville Schell of Asia Society, who organized the festival. “That was initially unsettling to the Chinese, but I think they were intrigued to see this engine of innovation at work.” …”

 

Are the Arts Irrelevant to the Next Generation?

New research from Norway finds a steep drop in interest in art, literature and classical music among college students between 1998 and 2008.

Tom Jacobs, Miller-McCune, 21 November 2011

 

BERGEN, NORWAY – “Are you concerned about the future of the fine arts? New research from Norway suggests you have every right to fret. A study just published in the journal Poetics suggests art forms such as literature and classical music “are becoming increasingly more irrelevant for most students’ cultural lives.” This points to “an increasingly precarious position for traditional highbrow culture,” according to a trio of researchers led by the University of Bergen’s Jostein Gripsrud. …”

 

More than 125 art dealers, antique dealers and gallery owners present at PAN Amsterdam

Recent News, artdaily.org, 21 November 2011

 

AMSTERDAM – “PAN Amsterdam is twenty-five years old and a celebration for every art lover. This fair of today for art, antiques and design presents a fascinating cross-section of what the trade currently has to offer and is an important indicator of the mood of the art market. One hundred and twenty-five art dealers, antique dealers and gallery owners will be showing a fascinating variety of old, modern and contemporary art in an inspiring setting—from Jan Steen and Studio Job to a Roman statue of the Greek god PAN and top photography by Schilte & Portielje. PAN Amsterdam runs from 20 to 27 November in the Parkhal of the Amsterdam RAI. …”

 

Arts Center Reflects a New Dawn on the Prairie

Zachary Woolfe, The New York Times, 20 November 2011

 

KANSAS CITY, MO — In America the arts are always on the lookout for a new home. This city’s Convention Hall, a noble Beaux-Arts building, opened in 1899. Enrico Caruso and Geraldine Farrar sang “La Bohème” there, on tour with the Metropolitan Opera, and Sarah Bernhardt played Camille. Less than 40 years later the hall was torn down to provide parking for the Municipal Auditorium, a moody Art Deco monolith that went up across the street in 1934. The Kansas City Philharmonic played there for decades. But the Philharmonic dissolved in 1982; a reconstituted Kansas City Symphony joined the Lyric Opera of Kansas City and the Kansas City Ballet at the slowly crumbling Lyric Theater nearby. The next decades were hard ones for the city, which struggled with suburban flight. Only recently has downtown Kansas City begun to revive. As its fortunes have turned, the three companies inhabiting the Lyric Theater have wanted — needed — a new space that would reflect their high ambitions. The answer, more than 15 years in the making, is the Kauffman Center for the Performing Arts, financed largely by the Kauffman pharmaceutical fortune, designed by the architect Moshe Safdie and built on a hilltop with an expansive glass lobby wall overlooking the city. …”

 

Irish subsidised arts sector supports 2,600 jobs - report

Michael Quinn, The Stage, Published Friday 18 November 2011 at 12:46

 

IRELAND – “Ireland’s state-funded arts organisations and practitioners generated turnover equivalent to more than twice what they received in grant-in-aid from the Arts Council and supported more than 2,600 jobs in 2010. A new report examining the economic impact of the arts in Ireland revealed a combined turnover of €135 million (£115 million) by Arts Council clients on total funding of €60.3 million (£51.6 million). …” [the full report has been saved to our Knowledgebase in the Museums and Community\Economic Impact of the Arts folder, file name Assessment-of-the-economic-impact-of-the-arts-in-Ireland_update-report_2011-11]

 

Le recteur de l’Université catholique de Milan nommé ministre italien de la Culture

Artclair, 18.11.2011

 

ROME – “Après la démission de Silvio Berlusconi, le 12 novembre 2011, le gouvernement italien a été entièrement remanié. Mario Monti, le nouveau Premier ministre a nommé Lorenzo Ornaghi à la tête du ministère pour les Biens et les Activités culturels. Ancien recteur de l’Université catholique de Milan, il est proche du Vatican, comme plusieurs nouveaux membres du cabinet. Il remplace Giancarlo Galan qui n’est resté que 8 mois à son poste. Le remplaçant de Silvio Berlusconi, Mario Monti, a dévoilé, le 16 novembre 2011, sa nouvelle équipe ministérielle. Il a choisi comme ministre pour les Biens et les Activités culturels Lorenzo Ornaghi, recteur de l’Université catholique de Milan. Il remplace Giancarlo Galan, dont le mandat n’aura duré que 8 mois et aura été marqué par le plan de sauvetage de Pompéi et la polémique sur le changement de direction de la Biennale de Venise. …”

 

Dissident Chinese artist Ai Weiwei makes 2.4 million tax battle a 'social performance'

Gillian Wong (Associated Press), Recent News, artdaily.org, 18 November 2011

 

BEIJING – “Dissident artist Ai Weiwei's latest provocative piece was handed to him by the Chinese government: a $2.4 million tax bill that he says is a trumped-up effort to silence him. Though jarred after spending nearly three months in police detention this year, he turned the demand into performance art — posting official documents online, tallying loans from supporters and making a video of himself singing an anti-censorship song. It opened a window on an opaque system, and showed that many in China share his desire for government accountability. Supporters donated more than $1.3 million (8.5 million yuan) to him in just two weeks, some of it folded into paper airplanes or wrapped around fruit and thrown over his gate. …”

 


Urban Development

 

A New Vision for D.C.'s Abandoned Streetcar Tunnels

Sommer Mathis, The Atlantic Cities, Nov 21, 2011

 

Washington, D.C.'s original streetcar system, like that of so many other U.S. cities, was dismantled in the early 1960s, its routes largely replaced by public buses. (It would be another 15 years before the first stage of the city's Metrorail system opened.) While most of the old streetcars operated on tracks above ground, a couple of tunnels were integrated into the system in the 1940s, the largest of which was located directly under one of the city's focal points: Dupont Circle. Those tunnels still exist today, empty and full of dust. […] Then last year, under pressure from a group with strong ties to the city's arts scene that saw the space as so much wasted potential, the city at last issued a new RFP for the tunnels. That same group, by then calling themselves the Arts Coalition for the Dupont Underground, emerged with the exclusive rights agreement to come up with a workable development plan. After an initial public meeting to layout the broad concept, they've since spent the last year quietly—rather extremely quietly, in fact—working on designs, courting developers and possible tenants, and generally trying to shore up as much private support as they could before releasing more concrete plans to the larger public. …”

 

Tel Aviv’s Long-Delayed Mass Transit Project Finally Under Way

Neal Sandler, Architectural Record, 21 November 2011

 

TEL AVIV – “With about 400,000 residents and more than 3.3 million in its metropolitan area, Israel's second-largest city, Tel Aviv, is finally getting a mass transit system. After decades of false starts, work has begun on the first of seven planned lines of a combined light-rail and bus rapid-transit network. Estimated at $2.5 billion, it is the most expensive civilian transport project ever undertaken in Israel. The launch comes a year after the cancellation of a build-operate-transfer contract awarded in 2006 to the MTS consortium that included Israeli and foreign firms, including Germany's Siemens. The Israeli government then moved to nationalize the project and guarantee financing to push forward the work. …”