Media Coverage

Plan to move NSCAD, Art Gallery of Nova Scotia to waterfront 'cultural hub'

A new "cultural hub" the provincial government says will help make Nova Scotia a "world leader in visual arts" is in the works for Halifax's waterfront.

The Art Gallery of Nova Scotia and NSCAD University will both be moved from their current downtown Halifax locations to a new facility.

The project was announced Wednesday. A tender will be issued in the coming weeks to develop a detailed proposal that will consider where exactly the cultural hub should be located, how much it will cost, and look at issues like parking, according to Culture Minister Leo Glavine.

Reinventing Museums

Gail discussed the reinvention of museums. How a they facing their colonial roots and connect with communities at TVO’s The Agenda with Steve Paikin, along with Silvia Forni, Gordon Shadrach and Andrew Hunter.

Holocaust memorial, Daniels projects win NY Design award

Two Canadian projects were among 32 winners honoured last month at the 2018 AIA New York Design Awards symposium held in New York City.

Brampton seeking public input for culture master plan

The City of Brampton is looking for ideas on how to shape its first culture master plan.

Local planners have embarked on drafting a new strategy for the delivery of municipal cultural services and investments over the next 10 years.

What’s it like to work beyond the professoriate? Six PhDs explain

Lord Cultural Resources vice president Brad King talks about what to expect when moving from academia to the non-academic workplace. The two-part interview is available here and here. 

Food is the new battlefield among museums, and Singapore has set the bar

Modern museumgoers have increasingly high expectations when it comes to the quality and inventiveness of food available to them at cultural institutions. As Gail Lord describes, “we are certainly living in a foodie age when people snap photos of food with the same enthusiasm they do for the Mona Lisa”. While the National Gallery Singapore is indeed setting a competitve standard with Michelin-quality dining on-site, Gail notes examples of museums from the 1980s onward which are integrating food into visitor experience.

Wild Detectives Gathering Seeks a Place for Literary Community in Dallas' 2018 Cultural Plan

More than 60 writers, poets, publishers and book fans packed into a local independent bookstore and were split into smaller groups. The Office of Cultural Affairs, in conjunction with Lord Cultural Resources and buildingcommunityWORKSHOP, asked the groups three questions: What is good, or not good, about working in Dallas? What is missing from the local literary arts scene? What are you willing to do to make those changes happen?

After Years of Neglect, Old City Hall Deserves Toronto’s Attention

Mr. Ortved's firm, CS&P Architects, has been studying Old City Hall along with a platoon of other consultants including museum specialists Lord Cultural Resources. Their recommendation, endorsed by city staff, is to re-purpose the building for a new city museum. This is something Toronto should have had 40 years ago, a huge missing link among its cultural institutions and a needed forum for discussion of the past and present. The consultants also imagine a new branch library, five times the size of the current branch in City Hall; and a variety of other "compatible uses," likely office space.

Dallas’ Next Great Plan. Maybe.

The Dallas Cultural Plan is a new document in the works under the auspices of the city’s Office of Cultural Affairs, with help from a New York-based consultant called Lord Cultural Resources. When the plan is completed this summer, it will be the product of almost a year’s worth of research. Consultants, city staff and officials, and a steering committee comprised of local arts advocates have spent that time trying to better understand how the city supports the arts and what the city can do to better facilitate a more vibrant and equitable cultural scene.

Finding Light Through the Concrete of Canada's Holocaust Monument

In 2007, Laura Grosman, an 18-year-old university student in Ottawa learned that Canada was the only Allied nation that didn’t have a monument to victims of the Holocaust. The granddaughter of a Holocaust survivor, Grosman was incensed and began lobbying politicians. It was perplexing that Canada—a country that had played an integral role on the beaches of Normandy in 1944 and helped to end World War II—had no permanent marker for the civilian victims of that war.

Ten years later, Canada’s National Holocaust Monument—also known by its official title, Landscape of Loss, Memory, and Survival—finally opened to the public earlier this fall.